Poster on the Gate

To have my posters as apart of an urban surrounding uncaringly slapped onto an endless group and wall of posters advertising indie and metal bands and late night swinger parties is far more trashy, gritty and effective than just placing it on the window of a shop. It shows that what I'm getting out there is apart of modern society and the underground arts world. This poster is a start. It's lazily been glued to this old, dilapidated gate alongside warning signs and older posters. The printer was not working so I had to photoshop it on(unfortunately).

Unused Campaign 2: Peaceonwar.org (Poster)

I like using silhouettes in my work. With this poster and unused campaign I have red and black card to portray the aftermath of a war-zone battle (in Iraq possibly?) showing a proud war machine and fallen soldiers not as casualties but leftovers in the battle. As if they're not people but pawns in a game of death. As the masses of soldiers die as a group, a long list they matter and deserve sympathy in their mass amounts, their millions. But as individual dead soldiers, they're just scraps. A grim truth to what war represents, because of this the posters needed to be grim. Although I only got round to making one. I wanted to make the poster(s) simple but shocking. I wanted it to hit the viewer hard with the flat eyesore colours. Red and black squashed together is an eyesore but it's effective.

Unused Campaign 1: Centrestone Cult (Poster)

One thing I've always wanted to do and I still may do in the future is a project based on a fictional cult I create. But to have me as the prophet-like leader would be way to egocentric, as amusing as it would be for me. I've always had a secret interest in cults, cult-like groups and religions and also films based on cults such as 'The Wicker Man'. In fact I find them fascinating. Primitive, naive nature still lingering in the modern world, armies and factions being brainwashed and created for one purpose; to wreak havoc is something that wows me. This project gave me a chance to give this a very small attempt at this so I created this poster and planned a fictional campaign to try and get people to follow this cult I created. There was a certain theme I would've gone for if going through with this campaign. Old fashioned nature would require an old fashioned representation of my work. If you look at my poster it looks like it is straight from the 50's era. It has low saturation, big bold plain text, a black and white picture of Alec Guinness looking as slick as ever (and he fits the perfect image of a cult leader). In fact he almost reminds me of Elron Hubbard. The poster is clean cut and extra nice. Which is exactly how I wanted it. Too nice. It looks so nice that you know there's something not quite right; it has a sense of eeriness to it. It's bittersweet. Because who wouldn't trust a man with a halo around the back of his head? With this pre-campaign I have a list of crossed out names and motto's that would be plastered on my would-be posters. "We will give you everything you desire" sounded like the most questionable of the lot. If I did go through with this project I think it would've turned out well in the end. I also think I would've enjoyed it.

The Blurb (What the exhibition is about)

The idea for this is to give people an idea as to what the posters are about. Without a paragraph or a blurb like what I've written nobody will have the vaguest idea as to what the posters represent or what 'A Cinema Deathly' is. It could be mistaken for a film poster or even a ghost walk or something. With this piece people will know what 'A Cinema Deathly' is and will either draw them in or not interest them. It's clear and it's precise and it gives people a vision as to what I'm putting out there. My initial plan was to have this short paragraph placed on all of the posters but after trying this out it looked incredibly out of place and looked to big for the posters taking emphasis off the charcoal backgrounds I had drawn. And the posters just looked better in general with this piece uninvolved in the actual posters. So my next step (after printing off the completed posters and putting them on walls and taking pictures) is to print off my posters and the blurb as double-sided cards and fliers (or maybe even booklets?). It will stun the reader/viewer with the the viewer charcoal drawing/poster and on the other side it will have my blurb. Without this blurb my campaign is mistaken for a group of posters with no substance or meaning and cannot be proven as a campaign even. The blurb gives definition and reason to my campaign and is (in itself) proof of a campaign and can also give the reader pre-feelings before the exhibition/campaign.